Tuesday, February 19, 2013
Illustrations for my memoir
Ray is a wonderful person, who has become a friend, and she is a great mentor. Before I began writing my memoir I applied for a grant from the Richard Llewellyn Art and Disability Trust, to pay for a mentor. My application was successful. Ray's name had been mentioned as being a good choice and I'm happy to say I agree, She's been fantastic.
I've written much of my memoir, and I'm working on my third draft (supposed to be anyway). I have some other writing things happening in my life at the moment, so the memoir has taken a back step. Today I saw something that has made me keen to get write back into it though.
Today I saw some pictures done by Simon Kneebone, who I've asked to do illustrations for my memoir. They're fantastic! Some of them are exactly right for what I've written, and I feel like Simon 'gets' what is needed to liven up the book. So, if I'm going to do justice to these fantastic illustrations, I have to get right back into getting my memoir spruced up and made into something wonderful!
Thank you so much, Ray and Simon, and everyone else who's helped me with this memoir, from family, to others with MS, friends, fellow writers and the MS Society SA & NT. You've all helped me in many different ways.
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Judges comments 2012 'Crossroads' competition
Cross roads: Judge’s Speech
Among the almost seventy poems submitted by adults, nine stood out. Two --- ‘Sticks and Bones’(by Heather Lunney NSW) and ‘Atticus Forby’ (by Terrence Mohr SA)--- dealt with individuals struggling with identity. Both rhymed and were fine poems. I certainly commend them, as I do ‘Blackberry Pies’(by Beverly Lello VIC) and ‘The Wrong Woman’(by Gaylene Carbis VIC) which dealt with cars. The most curious poem, also commended, was ‘Wystan Hughes walks past the Musee de Beaux Arts and drops into a nearby blues club’ [after W H Auden] (by Mike Hopkins SA), an accomplished, witty and entertaining piece which Auden would have appreciated.
Now we get down to the Highly Commended poems of which there are two. ‘Pandora’s Box’ (by Shelley Hansen QLD) is a thought provoking piece applied skillfully to the set topic with an uplifting ending. It is, if anything, an Ode to Hope. ‘Crossroads’ (by Janet Upcher TAS) is a tender, sensitive poem with some original imagery. It depicts that moment that all parents and grandparents know when the child becomes an adult stepping out into the adult world. It is a time of celebration and loss. Conventionally rhymed, it is beautifully and achingly realized.
In sharp contrast we have one of the two equal prizewinners ‘do you take this man?’ (by David Campbell VIC) which reminds me of the poetry of Anna Walwicz .It has a strong narrative drive mingled with stream of consciousness. It is hot and scarifying. This poem hit me from the very start. I knew it would be a finalist. It makes powerful reading.
The other equal first prize winner is ‘The Water Tower, Tailem Bend’ (by Meryl McDougall SA). I have a soft spot for water towers though the writer would not have known this. It is a very accomplished poem which melds current concern for the river with the legend of Ngurunderi with which I am not familiar though the story is sketched in the poem. It is an environmental piece with some clever imagery. The poet maintains full control over its fifteen rhyming stanzas. It never falters.
Now to secondary schools. Of the nine submissions, one stood out and it’s worthy of First Prize. ‘An Offer Not to be Refused’(by Talia Walker NSW) deals with that crossroad moment when one is offered his or her first cigarette. It is the sinewy, conniving, persuasive voice of temptation with which we are all familiar . There are some clever, original images in this macabre, sarcastic piece. I loved it!
There were only two primary entries neither special in any way.
I enjoyed reading and judging these entries and want to thank the organisers for giving me the opportunity. To all those who submitted, the best of wishes in your future writing endeavours.